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Nicholas Moore (16 November 1918 – 26 January 1986) was an English poet, associated with the New Apocalyptics in the 1940s, whose reputation stood as high as Dylan Thomas’s. He later dropped out of the literary world.〔 ==Biography== Moore was born in Cambridge, England, the elder child of the philosopher G. E. Moore and Dorothy Ely.〔(【引用サイトリンク】 The Papers of George Edward Moore (1873 - 1958) Philosopher )〕〔(【引用サイトリンク】 title=Nicholas Moore (British poet) )〕 His paternal uncle was the poet, artist and critic Thomas Sturge Moore, his maternal grandfather was OUP editor and author George Herbert Ely and his brother was the composer Timothy Moore (1922-2003). He was educated at the Dragon School in Oxford, Leighton Park School in Reading, the University of St Andrews in Scotland, and Trinity College in Cambridge. Moore was editor and co-founder of a literary review, ''Seven'' (1938–40), while still an undergraduate. ''Seven, Magazine of People's Writing'', had a complex later history: Moore edited it with John Goodland; it later appeared edited by Gordon Cruikshank, and then by Sydney D. Tremayne, after Randall Swingler bought it in 1941 from Philip O'Connor. While in Cambridge Moore became closely involved with literary London, in particular Tambimuttu. He published pamphlets under the Poetry London imprint in 1941 (of George Scurfield, G. S. Fraser, Anne Ridler and his own work). This led to Moore becoming Tambimuttu's assistant. Moore later worked for the Grey Walls Press.〔 ''The Glass Tower'', a selected poems collection from 1944, appeared with illustrations by the young Lucian Freud. In 1945 he edited ''The PL Book of Modern American Short Stories'', and won Contemporary Poetry's Patron Prize (judged that year by W. H. Auden) for ''Girl with a Wine Glass''. In 1947 he won the Harriet Monroe Memorial Prize for ''Girls and Birds'' and various other poems.〔 Later Moore encountered difficulty in publishing; he was in the unusual position for a British poet of having a higher reputation in the USA. His association with the "romantics" of the 1940s was, in fact, rather an inaccurate reflection of his style. In the 1950s he worked as a horticulturist, writing a book ''The Tall Bearded Iris'' (1956). In 1968 he entered 31 separate pseudonymous translations of a single Baudelaire poem, in a competition for the ''Sunday Times'', run by George Steiner. Each translation focused on a different element of the poem: rhyme, pattern, tropes, symbolism, etc. producing vastly different results, to illustrate the inadequacies and lacunae produced in translation. This work was published in 1973 as ''Spleen''; it is also available online.〔(【引用サイトリンク】 title=Ubu Editions: Nicholas Moore — Spleen, 31 Translations of Je suis commme le roi )〕 ''Longings of the Acrobats'', a selected poems volume, was edited by Peter Riley and published in 1990 by Carcanet Press. An interview with Riley concerning Moore's rediscovery and later years appears as a documentary element within the "Guilty River" chapter of Iain Sinclair's novel ''Downriver''. According to Riley, Moore was extremely prolific and left behind many unpublished poems. An example of one of Moore's "pomenvylopes" – idiosyncratic documents consisting of poems and comments typed onto envelopes and posted to friends and acquaintances – appears online at The Fortnightly Review.〔〔 His ''Selected Poems'' was published by Shoestring Press in 2014. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Nicholas Moore」の詳細全文を読む スポンサード リンク
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